Books by Michael Salcman

Necessary Speech: New & Selected Poems

NECESSARY SPEECH: New & Selected Poems (Spuyten Duyvil, 2022): 85 pages of New Poems constituting my 5th collection and more than 200 pages of the best Poems Selected from the first four collections.


“It’s noon in beauty’s hell,” writes Michael Salcman in Necessary Speech: New & Selected Poems. Salcman’s kissing the girls, he’s ogling the paintings, he’s open to Baltimore as much as Greece. As a poet/brain surgeon for whom “sake was light anesthesia,” he’s human and humorous. A generous guide to the Judaic world, as much internal as external via the family’s ordeal during the Holocaust, his “Coyotes in Connecticut,” the mellifluous “Lech Lecha” and the ambitious eight-part “Prague Suite” masterfully convey the rigors of survival. I raise a cup of that sake to Salcman, and bid you drink.

— Terese Svoboda, Author of Theatrix

Little is lost on Michael Salcman. Whatever he encounters seems to stick to him ready for retrieval—art, history, geography, biology, music and language. When he comes to write, they come along and make his poetry, as well as his life, rich, demanding, and multi-dimensional. You learn from a Salcman poem how things come together or fall apart. His selected poems highlight the best of his work, and the new poems are evidence that no artist’s work is ever completed and his or her best works may be the most recent.

— David Bergman, Emeritus professor of English, Towson University

Here it is: a treasure chest of poems, fresh as wonder, enduring as humanity In Necessary Speech: New and Selected Poems, Salcman speaks in a voice that is eloquent, compassionate, poignant, and deeply moving. I marvel at his range, from art to travel to history, with love as the source of it all. Once a neurosurgeon, Salcman writes with a rare combination of observation and intelligent feeling in his magnificent metamorphosis from saving lives to saving our souls – and our lives.

— Grace Schulman, Frost Medalist & Author, The Marble Bed

Shades & Graces

Shades & Graces, inaugural winner of the Daniel Hoffman Legacy Book Prize from Spuyten Duyvil Press in New York City.

Eloquent and moving, Michael Salcman’s new book is a fervent expression of praise for the human condition.
— Grace Schulman, member American Academy of Arts and Letters and recipient of the 2016 Frost Medal from the Poetry Society of America


In poem after poem, Salcman’s signature—the stitched lines of his verse—are characterized by verve, clarity, and formal finesse, and as such they attempt to heal the various and vexing wounds of experience.

— Michael Collier, former poet laureate of Maryland, director of the Bread Loaf Writersʼ Conference, Professor of English at the University of Maryland and author of My Bishop and Other Poems.

Brilliant, playful, rueful, profoundly grounded—a scholar of Erasmus and Sinatra, pinball and neurosurgery—Michael Salcman knows how tricky ideals become when you try to live them—whether you live for beauty or to repair the world or both. Salcman is a poet who has paid his dues, crafted a voice whose modulations are seamless: the profundity is natural as daylight. In Shades & Graces, his canvas is a lifeʼs entire arc. With this book, Salcman comes into his own.

— D. Nurkse, most recently author of Love in the Last Days: After Tristan and Iseult, and A Night in Brooklyn

A Prague Spring, Before & After

A Prague Spring, Before & After, winner of the 2015 Sinclair Poetry Prize, published by Evening Street Press.

In short, this is an erudite and highly rewarding collection. For many reasons, it is arguably Michael Salcman’s life work. And bravo for it.
— Christopher T. George for The Loch Raven Review

You can read the full review on the Loch Raven Review website.


A Prague Spring is a beautiful blend of the lyric imagination with historical and autobiographical facts. In this book, ignorance, cruelty, and murder lose. Art, and the truth, wins.

— Thomas Lux, Bourne Chair in Poetry at the Georgia Institute of Technology, winner of the Kingsley Tufts Award and Author of God Particles

A work of great rage, sorrow, and love, Michael Salcman’s majestic A Prague Spring tells an almost unbearable story that needs to be told over and over and never forgotten. Beginning with coldly matter-of-fact poems of family members lost to and escaping the Shoah, Salcman documents how his parents survived and met, and how he got along in Brooklyn, the glorious borough of his childhood, baseball's Dodgers, and the Brooklyn Bridge. Finally, he doubles back to visit the country of his birth. And in a series of stunning poems, a prose piece, and a final poem to his cousin Magda, Salcman ties together past and present, and gives us one more glimpse into the soul of a survivor, two really, his older cousin, and himself.

— Robert Cooperman, Author of In the Colorado Gold Fever Mountains, winner of the Colorado Book Award for Poetry

A Prague Spring is a near-epic book of history poems, interweaving the story of Prague with the Holocaust, family deaths and survivals, a book that stuns the reader with the enormities and sorrows of Time. Salcman uses the compression of narrative, meditative and lyric poetry to “bring you looted treasures: History’s twisted snakes.” Here we find a Holocaust survivor who is “a stick leaning on a stick, / an insect on a branch” as well as the backwards-running Jewish clock of Prague (“What city tells time like Prague?”) counterpoised with Salcman’s Brooklyn: “sweet / borough of my youth, heart and lung / of life.” Kafka and Salcman's ancestors haunt the Czech capital where “a pile of dust once pushed a cart of salt and spices / on a medieval street.” The poems revisit totalitarian defenestrations, slaughters and repressions as they recount, wonder and pray, all the time knowing “the brain is a savage beast, it eats when and what / no other organ eats….” At once autobiography, history, testimonial and memorial, A Prague Spring is a revolutionary collection of important and necessary poems, confidently written and—especially with Salcman’s tonal skills—always absorbing; it is further deepened by how perfectly Lynn Silverman’s dark photographs of Prague capture that ancient city’s shadows and ghosts.

— Dick Allen, Connecticut State Poet Laureate (2010-2015) and Author of This Shadowy Place, Present Vanishing, and Ode to the Cold War: Poems New and Selected

Poetry in Medicine

Poetry in Medicine, an anthology of poems about Doctors, Patients, Illness, and Healing, selected and edited by Michael Salcman, and recently published by Persea Books, (New York, 2015), contains more than 300 poems on medical subjects by history's finest poets from Ovid to the present, including Auden, Baudelaire, Berryman, Bishop, Blake, Dickinson, Eliot, Frost, Heaney, Hirsch, Larkin, Lux, Plath, Rilke, Ryan, Salcman, Sexton, Stevens, Whitman, Williams, Yeats and many others, as well as a scholarly Introduction and personal Preface by Salcman, brief biographies of the poets, and a thrilling Foreword by Michael Collier.

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Salcman, who is a distinguished neurosurgeon, reminds us in the first sentence of his preface that "all of us are born as patients," and this crucial, humane idea remains a touchstone throughout the book...a definitive collection that records the widest possible range of human responses to the predicament of mortality.

— From the Foreword by Michael Collier, award-winning poet, director of the Bread Loaf Writers Conference and Professor of English at the University of Maryland

A remarkable volume of poems about medicine, by writers ranging from Shakespeare to Ogden Nash to Lucille Clifton—some tragic, some funny but all worthy of a penetrating read. This book should be of interest to all thoughtful readers, among them physicians, patients and anyone associated with (or interested in) the medical professions.

— Solomon H. Snyder, M.D., Distinguished Service Professor of Neuroscience, Johns Hopkins Medical School, recipient of the Lasker Prize in Medicine and the National Medal of Science

Upon its debut, Poetry in Medicine received a very strong review by Donna Seaman at Booklist who called it "this unique, unnerving, and moving anthology...arranged within 14 unflinching clinical thematic categories...Primarily about physical illness, these imaginative, frank, witty, transcendent, and elegiac poems articulate the full range of emotions and mental aberrations sickness arouses. Who better to write about the mysteries of the body and the mind under stress than ever-vigilant, temperature-taking, empathic poets?" And Amazon listed it as the No.1 new Poetry Anthology and the No.1 new book in the Physician & Patient and Doctor-Patient Relations categories.

The Enemy of Good is Better

The Enemy of Good Is Better (Orchises, 2011) contains three poems nominated for a Pushcart Prize, one poem nominated for a Best of the Web Award and "Cutting Apples", first published by Alaska Quarterly Review and selected by Poetry Daily. In 2012, four poems from The Enemy of Good Is Better and two others were set to music by noted Baltimore composer, Lorraine Whittlesey. Copies are available directly from the publisher, Orchises Press or from

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In Michael Salcman's strong collection...consistency of attitude, style, and striking images make many memorable poems..."we look in wonder at the vastness of space/ but from the mind to the page is as great a distance"—a distance he navigates with passion and skill that give us pleasure.

— Daniel Hoffman, Poet Laureate of the United States, 1973-1974

His range is enormous. No matter his subject, his poems are in love with life.

— Thomas Lux, Bourne Professor of Poetry, Georgia Institute of Technology

You finish reading Salcman thinking you are quite a bit like him.

— John Burstein, The Potomac, A Journal of Poetry and Politics, issue no.11

Salcman's medical background gives rise to some remarkable metaphors...The imagery astonishes...Salcman's wedding of material object, emotion and idea engages mind and heart alike.

— Sondra Guttman, Urbanite Magazine, April 2011

The Clock Made of Confetti

The Clock Made of Confetti (Orchises, 2007), nominated for The Poet's Prize in 2009 and a Finalist for The Towson University Prize in Literature.

Copies are still available from Orchises Press and from

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This is a long awaited collection...What I love most about his poems is the figurative microscope he builds into each poem so the reader can see it all: focused, alert, alive.

— Thomas Lux, winner of the Kingsley Tufts Prize, 1994

T.S. Eliot famously praised poets "who feel their thoughts as immediately as the odour of a rose" and until Michael Salcman our recent poetry has been overdue the new arrival of such a poet...This is a question-asking, passionately felt, superbly described and crafted poetry of the highest order.

— Dick Allen, poet laureate of Connecticut, 2010-2015